https://bjr.emnuvens.com.br/bjr Scientific journal about Journalism research published by Brazilian Association of Journalism Researchers en-US <p>Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings.</p><p> </p><p><a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Creative Commons License" /></a></p><p>This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>.</p> bjr@sbpjor.org.br (Laura Storch) bjr@sbpjor.org.br (Laura Storch) Sun, 22 Dec 2024 14:51:32 -0300 OJS 3.3.0.8 http://blogs.law.harvard.edu/tech/rss 60 https://bjr.emnuvens.com.br/bjr/article/view/1769 BJR Editor Copyright (c) 2024 http://creativecommons.org/licenses/by-nc-nd/4.0 https://bjr.emnuvens.com.br/bjr/article/view/1769 Thu, 29 Aug 2024 00:00:00 -0300 https://bjr.emnuvens.com.br/bjr/article/view/1768 BJR Editor Copyright (c) 2024 http://creativecommons.org/licenses/by-nc-nd/4.0 https://bjr.emnuvens.com.br/bjr/article/view/1768 Thu, 29 Aug 2024 00:00:00 -0300 https://bjr.emnuvens.com.br/bjr/article/view/1703 BJR Editor Copyright (c) 2024 http://creativecommons.org/licenses/by-nc-nd/4.0 https://bjr.emnuvens.com.br/bjr/article/view/1703 Sun, 28 Apr 2024 00:00:00 -0300 https://bjr.emnuvens.com.br/bjr/article/view/1699 BJR Editor Copyright (c) 2024 http://creativecommons.org/licenses/by-nc-nd/4.0 https://bjr.emnuvens.com.br/bjr/article/view/1699 Tue, 23 Apr 2024 00:00:00 -0300 https://bjr.emnuvens.com.br/bjr/article/view/1698 <p>ABSTRACT – This paper examines contemporary photo collectives as a new form of professional photojournalism within the network society, comparing examples from Brazil and Spain. It identifies key elements distinguishing modern collectives from past ones and explores their role in fostering a decolonial approach to photography. The study highlights how marginalized cultures reclaim agency and become central to new photographic narratives, offering diverse epistemologies that address 21st-century crises.</p> <p>RESUMO – Este artigo examina os coletivos fotográficos contemporâneos como uma nova forma de fotojornalismo profissional na sociedade em rede, comparando exemplos do Brasil e da Espanha. Identifica elementos-chave que distinguem os coletivos contemporâneos dos anteriores e explora seu papel na promoção de uma abordagem decolonial da fotografia. O estudo destaca como culturas marginalizadas recuperam a agência e se tornam centrais em novas narrativas fotográficas, oferecendo epistemologias diversas que abordam crises do século XXI.</p> <p>RESUMEN – Este artículo examina los colectivos fotográficos contemporáneos como una nueva forma de fotoperiodismo profesional en la sociedad en red, comparando ejemplos de Brasil y España. Identifica elementos clave que distinguen los colectivos contemporáneos de los anteriores y explora su papel en la promoción de un enfoque decolonial de la fotografía. El estudio destaca cómo las culturas marginadas recuperan la agencia y se convierten en centrales en nuevas narrativas fotográficas, ofreciendo epistemologías diversas que abordan las crisis del siglo XXI.</p> Tomas Cajueiro Copyright (c) 2024 Brazilian journalism research http://creativecommons.org/licenses/by-nc-nd/4.0 https://bjr.emnuvens.com.br/bjr/article/view/1698 Thu, 29 Aug 2024 00:00:00 -0300